Harold Gray was ultra-conservative in his political beliefs and his stories are filled with capitalist ideology that held hard labor and rugged individualism were the only means to climb the social ladder.Īdventure strips were found throughout the comics pages during the 1920s and beyond. Sandy, her faithful dog, is her only constant companion. Annie occupies a bleak world and is continually traveling the country during her long separations from her adopted father. The strip, which is structured in long, novelistic narrative arcs, begins with the plucky orphan being adopted by Oliver “Daddy” Warbucks, a rich industrialist. One of the most popular comic strips debuting in the 1920s was Harold Gray’s Little Orphan Annie (1924-2010).
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The 1920s was an era when the comics pages were filled with both humor and serialized adventure strips that captivated the public imagination. During the early years of the twentieth century, a number of popular strips made their debut, including Little Nemo in Slumberland, Brining Up Father, Krazy Kat, Gasoline Alley, Mutt and Jeff, Barney Google, Harold Teen, and Thimble Theatre.
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The comic strip is characterized by a narrative sequence told in a series of images, featuring a continuing cast of characters, and the inclusion of dialogue or text within the frame. He is recognized for establishing the popularity of the newspaper comic strip as both an artistic and commercial form. The Yellow Kid and Buster Brown, Outcault’s other immortal creation, led the cartoonist to be called “The Father of the Comic Strip.” His work was popular with both adults and children. He was embraced by readers and soon was appearing in advertisements and on a mountain of merchandise. Mickey Dugan, “the Yellow Kid,” was a bald gap-toothed boy with oversized ears who hung around the New York City slums wearing an oversized yellow nightshirt. It helped make the Sunday comics color supplements a necessity for millions of readers. Outcault of Lancaster, Ohio, was the first massively popular newspaper cartoon. By the 1890s, media barons like William Randolph Hearst and Joseph Pulitzer were using comic strips to boost their newspapers’ circulation. The 1870s saw the beginnings of the humor and cartoon weeklies, the most popular being Puck, Judge, and Life.
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Paul Revere was another early American cartoonist, whose Boston Massacre print was an effective piece of war propaganda. Benjamin Franklin’s 1754 propaganda cartoon, Join or Die, depicting a severed snake, is the earliest known pictorial representation of a colonial union produced by an American colonist. The comic strip is a uniquely American art form with a long tradition in our culture.